A Plea For Purging has long set themselves apart with brutal riffs, piercing lyrics and a humorous onslaught of creative personalities that pour through their songs, videos and merch. If you missed the complete article with Andy Atkins please CLICK HERE to link back to the hurdcore.com interview with Plea lead vocalist as they prepare to release their latest full length album The Marriage of Heaven and Hell (July 2010) on Facedown Records. In addition to the aforementioned interview we offer an encore blitz with Andy.

One of your songs that personally means a lot to you and why?
Andy Atkins (vocals): Trembling Hands. I think it sums up what The Marriage of Heaven and Hell is trying to say.

If I had an extra $1000, the first piece of equipment I would purchase for the band is…
AA: One of those pop up canopies with our name on it, so kids would see it outside a venue or fest and know they could come there for some righteous hangouts.

Is there a current trend in the music scene that bugs you?
AA: Bands that are getting huge that sound like they have been a band a week.

Current trend in music/scene that has challenged you?
AA: There are a lot of bands writing some heavy techie riffs these days. Everyone is trying to be Meshuggah. This makes it harder to write original heavy riffs.

What are you currently reading? This interview, haha and “Ten Things I Hate about Christians.” What are you currently watching? Pawn Stars and Man Vs. Food. Top 5 songs in your personal ipod right now? I just opened up my itunes and clicked on 25 most played. The top four songs were Oceana’s new EP, The Clean Hands EP. The fifth song was Blink 182’s “Josie.”

Any crazy pre-performance rituals?
AA: Nah, not really. I don’t really do anything special. Might jump around and spazz out for a minute to get my heart rate going. That’s about it. I’m all natural. haha

Best memory that comes to mind from a show/tour?
AA: Most recent, We were playing Ichthus Festival a few days ago. The stage was huge with one of those like 10 foot barriers in between the stage and the crowd. I hate those. During our last song a kid jumps the barrier, gets by security, jumps on stage and starts singing along. I motion for more kids to come, so a group of about 10 kids jump the barrier, jump on stage, and jam with us, singing along. That was punk rock. Fight the man!

Worst memory that comes to mind from a show/tour?
AA: Another fest, Sonshine Festival last year we had the biggest mess up of our career. Tons of friends and industry types standing side stage. It was quite embarrassing.

A Plea For Purging’s latest album “The Marriage of Heaven and Hell” on Facedown Records available in stores and online July 6th, 2010. Singles “Eternal Female” and “Shiver” available now through the APFP Myspace and iTunes.

A Plea For Purging (Metal/Hardcore) from Nashville, Tennesse is: Andy Atkins – Vocals; Blake Martin – Guitar; Tyler Wilson – Guitar; John Wand – Bass; Aaron Eckermann – Drums.

First Edition – Hurdcore.com Comic (let us know what you think at our HC Facebook)

For more information on local music, band interviews, concert updates and promotional content. Local bands, artists, concerts, venues, tours and events from rock, hip-hop, metal, pop, punk, hardcore, acoustic, indie, organic, progressive, funk, rap and more. Stay tuned to hurdcore.com, friend us on myspace and join us facebook. Hurdcore is open to partnerships to promote local arts, music and entertainment as well as advertising opportunities – hurdcore@gmail.com – be specific in “subject” line.

Jesus answered them, “Healthy people don’t need a doctor — sick people do. I have come to call sinners to turn from their sins, not to spend my time with those who think they are already good enough. Luke 5:31,32

If Ashylus were a musical triathalon, with each of the three tonal ranges being the legs of the extended race, then Ashylus would be a seamless bike through rumbling lows, run through mid range breaks and swim through swirling highs that pierce through each song. If fans dare to participate in live performances from these Tri Cities, Washington rockers, they may want to bring protective gear as no fan will be guaranteed to escape without a proper bruising. Their name which stands for Ambition | Strength | Heart | Youth | Love | Understanding | Sacrifice serves as a certain rallying cry that has set these young men well on their way to establishing themselves as a presence in the hardcore/metal circles throughout Washington and Oregon. Rapid fire drums are complimented by consistent screams and blazing guitars which test their metal with looping solos to craft an entertainingly core-blending orchestra of brutality. Ashylus offers scene shattering depth in both their musical creativity and their lyrical sincerity, working to build a fan base that shares their drive for enjoying the moment as well as challenging the flimsiness of many truth claims.

Your songs seem to be of a more somber nature with titles such as “Will We Ever See The Light of Day” or “Unattainable,” what do you strive to communicate through the tone and content of your songs?
Anthony Badziong (Vocals) Well, First off, The song “Will We Ever See The Light of Day” was written about how a lot of bands that work very hard to display a message in their songs get overlooked by people who don’t see the meaning behind the lyrics because they don’t understand the style of vocals, we just want all the bands to be seen for what they are worth. We play our hearts out whether there are 300 kids in the venue, or 5 kids, Ultimately, we just want to have a good time and hope the kids do as well.
“Unattainable” is about how people have their own beliefs on how the human race was originated, but there are really no facts set in stone. You can believe in Christianity, evolution, or any of the other theories, but the point is, we’ll probably never know the truth, so lets just live our lives and get along with what we have.

Your title track “Enslaved By False Belief” has a message thick with political phrase, “They say we need change but what we really need is an awakening…they are the power, we are the blind.” Is this song purely fueled by disgust with the current state of American politics or is there a deeper narrative influencing these lyrics?
AB That is correct, the song is definitely fueled by disgust with the current state of American politics. The government is controlling society like drones.

Do you think we as a society are blind because we want to be?
AB We believe that most people are blind because of denial, such as the older generation, they believe the lies that they are told. People don’t want to be blind, sometimes people just want to believe that they are in good hands… even if they know they’re not.

What do you believe people should do to begin to set things right (can the blind effectively fight back)?
AB Well, were just displaying what we believe, one person can’t make a difference, but if people work together to prove what they stand for, then they can definitely make change.

The hardcore/metal scene has become more than underground but less than mainstream, as a band and on a personal level how do you fight the constant pressure to compromise or blend in?
AB We are always open to constructive criticism. If someone says we should have more leads, or more breakdowns, we will consider what they are saying, but ultimately we will always play what we feel in our hearts. If we don’t make our music the way we love it, then it simply wouldn’t be Ashylus.

So the name is spelled Ashylus but is pronounced uh-shy-lus, what is the meaning behind your name?
AB Ambition | Strength | Heart | Youth | Love | Understanding | Sacrifice.

Having started out in 2007, what have been some of the biggest challenges you have had to overcome as a band over the three years of your existence?
AB We found ourselves, as musicians. That was the first part, then we realized that our personal lives had to be sacrificed in order to actually be able to get our music out there, it’s a hard process but its what we love so we will continue playing music for a long time.

What has performing music taught you about life and music that you didn’t see as clearly before?
AB Honestly, we could answer this in 1000 words, but mainly we learned that in order to achieve your goals in life, you have to make sacrifices and really be motivated by the ones you play with in order to be successful. The attitude of the band just stays positive and we try not to loose track of what we’re trying to accomplish.

You are preparing for the Metal Vaccination Tour being presented by AAP and Monumental Booking with another band Return From Exile, will this be your first tour of this magnitude?
AB Actually this will be our first tour in general, we have played a ton of shows all over the north west, but we are very excited to play in other areas including California, Nevada and Arizona.

How did you get hooked up with all the parties involved with this show?
AB Will from AAP (AAP HC Interview) has known about us since before we played our first show. A few months ago we became a part of AAP management. William has helped us a lot by getting us our endorsements and tour booked. Monumental Booking has been booking shows in Spokane and our home in the Tri-Cities for a while now. Ryan Levey, The Owner of Monumental, offered his help by booking dates and coming along as the tour manager. We’re Stoked.

What are the best and worst features of being on the road?
AB The best, Playing music with your best friends all the time. The worst, Being away from home.

If you could see the end, when you look back on what you were able to accomplish as a bunch of dudes who loved playing music, success for Ashylus would be what…?
AB The continuous growth of our fan base.

Ashylus is: Anthony Badziong – Vocals; Bijan Davari – Guitar; Aaron McKinney – Guitar; Kevin Ubiadas – Bass; Andrew Badziong – Drums. Ashylus will be on a 2010 West Coast Summer Tour from July 18th through August 2nd. Debut EP “Enslaved By False Belief” now recording. Keep up to date with recording and tour information at the Ashylus Myspace Page

Partnering with local bands, artists, venues and promoters to support local music, hurdcore.com posts fresh band interviews every Sunday as well as additional content throughout the week. Covering local bands, concerts and venues from Seattle to Portland, Medford to Spokane, Eugene to Idaho and as well as the Midwest and California. Hurdcore.com supports local music ranging from hip-hop, metal, pop, punk, hardcore, indie and more. Stay tuned to hurdcore.com, friend us on myspace and join us facebook To request album reviews, band bios, interviews or to discuss advertising opportunities email us – hurdcore@gmail.com – be specific in “subject” line.

Jesus answered, “I am the way and the truth and the life. No one comes to the Father except through me.” John 14:6

A few weeks back Kyle Benecke, former vocalist for now disbanded Nodes of Ranvier (Facedown & Victory Records), shared some insights into the breaking up of Nodes as well as his personal views on life and music (see full interview w/ Kyle HERE).

One of your songs that personally means a lot to you and why?
KB ‘Archegos’ is my favorite song on ‘Defined by Struggle’. I just love how that song came together, lyrically and musically. I really love the imagery of the lyrics. The song is about Christ being our rescuer. I borrowed the idea from a sermon I heard on Christ as the forerunner or ‘Archegos’ of our faith.

Current trend in music/scene that bugs you?
KB Personally, all the guys who look like girls, that bugs me. But it has nothing to do with their personality, most of those people are very nice and I have no problem with people expressing themselves in different ways. It just bugs me a little. Too much fashion ya know?

Current trend in music/scene that has challenged you (in a good way) or you think is a positive evolution?
KB Bands like For Today and Sleeping Giant being so outspoken for Christ has been a great blessing. Its good to see more bands proclaiming their faith.

What are you currently reading? Ashamed of the Gospel by John Macarthur. What are you currently watching? The Book of Eli!!!!!! So awesome!!! Did you have any crazy pre-performance rituals? Nope. Maybe a bowel movement, but that’s about it, haha. Best memory that comes to mind from a show? Sonshine Festival in MN was awesome. What was one of your worst memories from a show? I toured with a band called ‘Saved by Grace’ years ago. When we played in Rochester, NY, it was snowing like crazy, the show got canceled and there were people smoking crack in the basement. It was bad.

Nodes of Ranvier – “Defined By Struggle” is still available from Victory Records. Be sure to check out Kyle’s Youtube page which features interviews and live recordings with bands like For Today, Impending Doom, Legend, The Ghost Inside and MORE.

For more information on local music, band interviews, concert updates and promotional content. Local bands, artists, concerts, venues, tours and events from rock, hip-hop, metal, pop, punk, hardcore, acoustic, indie, organic, progressive, funk, rap and more. Stay tuned to hurdcore.com, friend us on myspace and join us facebook Hurdcore is open to partnerships to promote local arts, music and entertainment as well as advertising opportunities – hurdcore@gmail.com – be specific in “subject” line.

In a mosh pit there are no two people more annoying than angry dude who thinks mosh is an excuse to beat up on the little guys or “I-can-do-it-better-than-them-guy” who has a running commentary on how much better he can sing or play than every band from As I Lay Dying to Justin Beiber. Thankfully there is a welcome contrast to these pleasure sapping abberations, those dutiful fans in cities all around the world who are putting their skills to the test and transforming themselves from bystanders to performers. City of God is a five piece collaboration of aspiring musicians rising from within the local Portland, Oregon music scene to pursue their dreams of global hardcore dominance. Imagine the ecstasy of suiting up for a show to share the stage with a personal icon, on July 12, 2010 the fine gentlemen of City of God will get such a chance when they open at the Hawthorne Theatre for hardcore innovators and longtime scene favorites, Norma Jean. Take a moment to share with hurdcore.com as we take an exclusive and intimate few moments with COG bassist Josh via the wonders of social networking.

July 12th City of God is opening for Norma Jean and In This Moment at Hawthorne Theatre in Portland, Oregon, how stoked are you for this show and how did you land this opportunity?
Josh (bass/vocals) Well for me Norma Jean was my fav band in high school. I always listened to them through class, and never thought I would get to play a show with them. As far as getting the show, Mike Thrasher asked if we would play.

Currently your songs on Myspace are only titled by Roman Numericals with the most popular being “IV”. Where do you draw inspiration for the content in your songs?
Josh Well to be honest, we just try to write how we feel, which is loud and in your face. Another factor would be that we have a message to send, in our opinion, there’s no better way to do so than by yelling at kids about it.

You have stated, “We look to the coming of the city of God as a day in which the old pains and the old struggles will melt away. We are ordinary men who love Jesus, and we all have stories to tell about His goodness. Our desire is to tell the world about this Savior, and will continue to do so until the end of our days.” How did you decide on the name City of God for your band?
Josh We find that in man’s society we’ve been attempting to create life as a utopia or perfect place. There’s no other way for that to be possible without God. The City of God is what we long for, what we work for, and what we delay. There’s a sense of irony that we are named City of God, while we live in such a godless city. So with that being said, we like to eat meat.

Do you believe that the City of God (heaven) is a literal place? If so how does anyone enter the City of God?
Josh Yes, heaven is a physical place. The only way to enter the gates of heaven would be to accept that you are flawed and totally depend on Christ as your Savior.

City of God is preparing for a tour this July with Seattle based To The Wind, how did you get hooked up with these guys and where are you planning to play along the way?
Josh Due to family issues To The Wind has dropped the tour. We have picked up a tour in mid August with Make it Reign and The Waiting Ends, both from Reno.

Are you still planning to hit Eugene?
Josh Yes we’re trying to hit up Eugene or Salem so come out and get buck nasty. (seriously)

As a band, you have been upfront about your Christian beliefs through everything from your name, lyrics and how you present yourselves, what brought you to faith in Christ?
Josh We each have our stories/testimony. The cool thing about it is that every member has different experiences both with Christ and without. Come talk to us at shows and we’re more than willing to share our stories.

From what you have seen as a fan and performer, does music have any power to change things for good?
Josh Heck yeah! It’s what god gave us to keep on going in life.

You’ve played shows with a list of who’s-who amongst local Portland area bands such as Proven and Fallstar as well as hurdcore.com alumni like And The Sirens Sang, Regiment 26 and All She Wrote. Who/what is the best advice you have received from your contemporaries in the local scene?
Josh We run the show. Ask us for advice. Hahahaha, we’re kidding. Fallstar are rad dudes, we love how blunt they are on stage about their faith. Proven is another band of dudes who’ve been in the scene longer than we have who don’t care about trends, they stick to what they believe.

The Priest fighting a Werewolf t-shirt [for City of God] designed by Joshua Andrew Belanger is about as sic as they come, what is the story behind this design?
Josh That good vs. evil ain’t pretty. It’s a brutal fight for eternity.

City of God > Hardcore/Christian > Gresham, Oregon is:
James – Vocals; Steve – Guitar/Vocals; Zackk – Guitar/Vocals; Josh – Bass/Vocals; Mike – Drums. Check out their music and tours on the COG Myspace.

For more information on local music, band interviews, concert updates and promotional content. Local bands, artists, concerts, venues, tours and events from rock, hip-hop, metal, pop, punk, hardcore, acoustic, indie, organic, progressive, funk, rap and more. Stay tuned to hurdcore.com, friend us on myspace and join us facebook Hurdcore is open to partnerships to promote local arts, music and entertainment as well as advertising opportunities – hurdcore@gmail.com – be specific in “subject” line.

R.I.P. status showing up for your favorite band is never a welcome designation. As a fan you question whether this is your fault or what might have happened if they just would have called Dr. Phil, but nothing can turn back time to a place where you and your favorite band were blissfully in sync. Kyle Benecke took the helm for Sioux Falls, South Dakota based hardcore band Nodes of Ranvier in time to record and tour what would be their fourth and final album, “Defined By Struggle”. Nodes of Ranvier had long been a workhorse in the Facedown Records stable of up and coming hardcore bands, but 2006/2007 brought many new faces and a change of venue to Victory Records. Defined By Struggle showed great promise as the band seemed to continue their signature sound without any glitches while simultaneously returning to a renewed clarity in the spiritual content of their music. Much to the dismay of fans like myself, 2007 was to be marked as the end of an era for Nodes of Ranvier but we were glad to catch up with Kyle as he sheds some light on the breakup and encourages us with words of wisdom for today.

You are from Omaha, Nebraska and Nodes of Ranvier was based in Sioux Falls, South Dakota, what was the timeline and process for you being introduced to the band and finding yourself taking the helm for vocal responsibilities?
Kyle Benecke I’ve known the Nodes guys forever and I was a big fan as well. They asked me to be in the band after Nick left and the rest is history. It all happened really fast.

I was stoked that the fourth album, Defined By Struggle returned to the clarity of spiritual content that was expressed in the freshmen release of Lost Senses, More Innocence. How was the final product of Defined By Struggle received by the band and the fans?
KB As a Christian, I just wrote what I’m passionate about. We had a good response to the music and lyrics. Some people liked the return to spiritual content and some didn’t, no big deal.

Nodes of Ranvier had their trademark riff fueled sound, how did you prepare your voice and how were you able to get into a flow that fit to carry through what the band had laid as a foundation while showcasing your unique vocal tone as well?
KB When I first heard the songs for that album, I was really excited to get vocals down. I felt that all the music they were writing fit my vocal style really well. Not much preparation, just got in the studio and laid down the tracks. We were all happy with the result I think.

When you joined Nodes of Ranvier there were some massive changes, vacancies at drums, bass and vocals as well as a label change from Facedown Records to Victory Records. Did you have any idea that Nodes was going to disband or did that come as a surprise to you?
KB Yeah, there were a lot of changes going on, but I just jumped at the opportunity to do a record with Nodes and Victory Records. I pretty much grew up on Victory bands (Strife, Earth Crisis, Snapcase, Buried Alive, All Out War etc…..) I didn’t know we were so close to disbanding when I joined, but I’m well aware of the fragile nature of hardcore/metal bands. It was still a great opportunity and I had a blast.

It seems a little odd that most of the members who left Nodes of Ranvier before Defined By Struggle and even those involved with the final recording went on to work in other projects (like they still wanted to do music, just not NOR), can you pinpoint what you think led to the decision to put Nodes of Ranvier on R.I.P. status?
KB I’m not positive what led to the demise of NOR, but I have some ideas. I think part of it was just internal problems and not wanting to tour. The tours that we did were pretty bad as far as turnouts go, but again, that’s the nature of this world. At one point you’re hot, and then you’re not. It can be really disappointing. But music is in our blood. We probably won’t ever stop making music or being involved with it in some shape or form.

What are you up to now and do you have any vocal prospects?
KB I’m married and have a full time job here in Omaha, NE. In my spare time I shoot (video) as many shows as I can. (Check out my youtube page if you’re interested: http://www.youtube.com/user/thebenecke) As far as musical projects go, nothing right now, but I’m hoping to get a hardcore project started one of these days. Hopefully soon.

You obviously brought a depth of spiritual content to the lyrical component of Defined By Struggle, what has been your experience with faith?
KB I was raised Lutheran, but I never really cared too much about God, church etc… I became a Christian when I was in high school. My friend shared the gospel with me and that was that. Years later, through another friend, I discovered reformed theology. My love and reverence for Christ grew enormously because of that. Learning/studying about God’s attributes was mind-blowing to me. His sovereignty, love, mercy, patience, wrath etc… Continuing to learn about all these qualities that God possesses increases my faith and causes me to love and serve Him.

The Kyle Benecke Library recommends some pretty heavy reformed tradition reading such as “The Attributes of God” by A.W. Pink as well as straight classics like “The Screwtape Letters” by C.S. Lewis. Are there some key principles, thoughts or quotes that have helped shape your thinking towards life and faith?

KB Reading A.W. Pink destroyed me!!! His book, ‘The Attributes of God’, absolutely changed my perception of God in so many ways. Especially the chapter on ‘The Wrath of God’. So good! Other than that, I love most puritan stuff, Jonathan Edwards, John Owen etc….(Sinners in the Hands of an Angry God is my favorite sermon of all time) Charles Spurgeon’s stuff kills me too. Basically, I like the old stuff. It’s hard to read some of it, but you get so much depth and understanding if you stick with it. Newer stuff: John Piper, John Macarthur, Tim Keller.

A great quote:

When I consider how the goodness of God is abused by the greatest part of mankind, I cannot but be of his mind that said, The greatest miracle in the world is God’s patience and bounty to an ungrateful world. If a prince hath an enemy got into one of his towns, he doth not send them in provision, but lays close siege to the place, and doth what he can to starve them. But the great God, that could wink all His enemies into destruction, bears with them, and is at daily cost to maintain them. Well may He command us to bless them that curse us, who Himself does good to the evil and unthankful. But think not, sinners, that you shall escape thus; God’s mill goes slow, but grinds small; the more admirable His patience and bounty now is, the more dreadful and unsupportable will that fury be which ariseth out of His abused goodness. Nothing smoother than the sea, yet when stirred into a tempest, nothing rageth more. Nothing so sweet as the patience and goodness of God, and nothing so terrible as His wrath when it takes fire. (Wm Gurnall, 1660).

Having been a fan of music and experienced life as a performer, how would you encourage those who want to make the most of their talents and use them to do more than just entertain?
KB I would tell them, don’t fall in love with yourself and respect others. For believers, guard your eyes, heart and mind. If you have the talent to play music, be careful and know what you’re getting into. Have fun, be honest, and don’t be afraid to say what you believe. A lot of people won’t like it and you’ll feel stupid sometimes, but that should build character over time.

Nodes of Ranvier – “Defined By Struggle” is still available from Victory Records. Be sure to check out Kyle’s Youtube page which features interviews and live recordings with bands like For Today, Impending Doom, Legend, The Ghost Inside and MORE.

For more information on local music, band interviews, concert updates and promotional content. Local bands, artists, concerts, venues, tours and events from rock, hip-hop, metal, pop, punk, hardcore, acoustic, indie, organic, progressive, funk, rap and more. Stay tuned to hurdcore.com, friend us on myspace and join us facebook Hurdcore is open to partnerships to promote local arts, music and entertainment as well as advertising opportunities – hurdcore@gmail.com – be specific in “subject” line.

If you never roll the dice, never risk something, then you’ll never reap the reward of having first learned and second expanded your opportunities to grow. Oregon’s First – The Everything Show set out with an ambitious goal to host a night that would offer “something for everyone.” Without catering to any specific crowd or scene, The Everything Show’s promoter Danny Morgan, Jr. (aka Suganuts), assembled a diverse blend of Oregon’s finest local talent for a night of musical variety. There was no doubt that most of the bands that came understood the vision for bringing such an ecclectic group together and responded themselves by giving 110% in their performances. Meeting several of these unique artists, who came from all over Oregon and were in various stages of their evolution as performers, it was inspiring to discuss the common pursuit of chasing their dreams through the expression afforded via their music.

Being the first act, has a certain dichotomy, where an artist bears the honor and burden of opening a show to set the tone for the night. While Pynt Syze brings a unique touch and high energy, between technical difficulties and a youth crowd confined to the distant balcony the response wasn’t up to par with what the young performer might have hoped for. KTR has a great sound with a meld of classic and modern rock, their compositions seamlessly rotate to brandish the talent of each musician. The play between percussion, acoustic and electric guitars provides KTR with a full bodied sound and the dual vocals gives a smooth dynamic that keeps things interesting in the melodies. If you don’t like ska, be careful stating such around Eugene’s Wetsock as their drummer dangerously resembles karate’s most notorious iconoclast, Chuck Norris. Wetsock brought high energy from the start that didn’t let up for a moment, with a spectacular blend of ska, punk, surf, reggae and swing. Treu aka Tha Hustla is the consummate professional, knowing that if the crowd isn’t warm sometimes you have to manually ignite them. Diversity was definitely on display when you consider that by this point in the show we’ve gone from 14 year old hip-hop local prodigy, classic rock, ska/punk and gangster style hip-hop.

Greenlander has a polished sound and look but don’t let the ties fool you, these gentlemen are ready to get down, with heavy riffs, pace changes and a crisp rock tone. October Rising has carved a local presence with their acoustic indie rock which elegantly plays with instrumental and vocal harmonies. Where time constraints and technical difficulties had prevented Will Woodruff from firing up his microphone for a full scale comedic assault, when intermission made an opening for The People’s Comedian to deliver, the crowd responded. Cracking jokes about his troubles with women and the societal disparities in perceptions of men driving mini-vans. Will is very personable, his comedy and beat-boxing skills played well with an Albany crowd. It’s wild to observe that the band that traveled the farthest, whom has the most momentum going for them currently and perhaps has played on the biggest stages of any of the acts, also delivered the deepest onslaught of musical mayhem for the night. It’s clear why Medford’s hardest working hardcore band, Tallboy, has been able to make such waves, as these young men put on a clinic of passion and professionalism, going all out as well as ALL over the place. DJ Unofficial was totally into the night, spinning and working with artists to add spice to a show that always brought something new.

The great thing about a live experience is that even when you aren’t used to a particular style of music, it is hard not to appreciate the work that goes into writing, composing and performing a song live. There is an energy to live performances that doesn’t always translate through recordings, so whether you are seeing your favorite band live or getting to experience something new, the opportunity to see such talented local artists on display is a blessing that shouldn’t be taken for granted. While there weren’t as many people on the dance floor as some would have liked, the crowd was always responsive, interacting with the bands and even cheering heartily throughout their sets. The biggest response of the night came for the shows organizer, seasoned local hip-hop artist Suganuts (aka Danny Morgan Jr.) who demo’d several of the rough cuts for his upcoming album ‘Natural’, which likely will be releasing later this year. Flo closed the night with her beautiful voice and classy R&B sound. On a night which envisioned a little of “something for everyone” the reception was creatively encapsulated by the t-shirt designs from The Sign Express which displayed a crunked out Charlie Brown and turn table spinning Linus. Oregon’s First – The Everything Show perhaps planted a seed, a vision/tone for what can happen when fans, promoters and artists are willing to color outside of the lines.

What more could be said, props to Suganuts for his vision and the amazing local performers who poured themselves out for this one of a kind show. Huge thanks to the sponsors for The Everything Show: Riley’s Bar & Grill is a spacious and beautiful venue with so much potential; KC Productions & Entertainment for stretching and laboring to make everything work; The Sign Express for designing and sponsoring the awesome Everything Show T-shirts; J Photography for getting into the action and capturing so many of the memories; Downtown Tattoo & Piercing for always being good to Albany music; Hightides Pipe & Tobacco for their generous support; Jack & Jill’s Barber Shop for your support and great hair cuts; Go Figure for all you do for Albany women and your willingness to get right into the mix; Nancy of The Entertainer for helping spread the word on all things local; Noah of The Alchemist for sharing your platform and working hard to help local art thrive; Paradox Production for pushing quality local hip-hop; Magnolia Audio & Music; Movies & Magic; Ciddici’s Pizza; AND EVERYONE WHO PASSED OUT FLIERS, TOLD SOMEONE AND CAME TO THE SHOW!

ALL photos for this article courtesy of J Photography – check/book them HERE

For more information, interviews and updates for live local music concert tours. Local bands, artists, concerts, venues, tours and events from rock, hip-hop, metal, pop, punk, hardcore, alternative, acoustic, power pop, thrash, R&B, soul, reggae, indie, heavy metal, organic, progressive, funk, death metal, rap and more. Stay tuned to hurdcore.com, friend us on myspace and join us facebook Hurdcore is open to partnerships to promote local arts, music and entertainment as well as advertising opportunities – hurdcore@gmail.com – be specific in “subject” line.

Hurdcore readers from the Northwest should not be ignorant of Portland based progressive hardcore artists A Hope For Home, especially after our official introduction to the band in late 2009 (LINK). AHFH adds a depth to the movement within the hardcore scene which has been fighting against the syncronicity of sound that has been eating away at any progression or diversity in tone that might otherwise drive the scene to flourish as a creative beacon. Whether you’d label it post-hardcore or progressive, this West Coast quintet of melodious brutality remains humble in their pursuit to express themselves through music, inviting those with an open mind and divergent tastes to explore the outer limits of where innovation can take us. A Hope For Home will be releasing their 3rd Album ‘Realis’ on Facedown Records on March 30th, 2010 so we thought we’d catch up with the band to get an idea of what we might expect from this incarnation of the bands progression.

2010 is kicking off as a busy year for A Hope For Home, you are launching a national tour and preparing to release a new full length album ‘Realis’ on Facedown Records. The tour takes you from the Northwest into the Midwest and down South with several different bands meeting up with you along the way. Looks like you pick up In the Midst of Lions, Hands and Onward to Olympus once you hit the Midwest. Have you played/toured with these bands before?

AHFH We did a little stint with Hands last summer. They are probably some of our best friends in the whole world, and we are so stoked to be out on this tour with them. We’ve never met any of the other dudes, but it’s definitely been a great time so far.

In touring what has the reception for A Hope For Home been like and what are some of the most rewarding elements of being on tour?

AHFH Touring is an interesting monster. It can be really tiring, but I personally love it. My favorite part is honestly just hanging out with the bands every night. Getting to know another group of dudes and seeing new places every night. It is difficult to gauge reception because every tour we’ve done so far has been drastically different. But its always amazing going to a place you’ve never been and meeting one person who has been impacted by your music- that’s all I could ever ask for.

Last we spoke, you mentioned that you aren’t really a “dancy band” and I agree that AHFH’s sound while clearly hardcore in its roots is quite unique in the complexity of sound that you bring to your craft. What about your writing style and/or approach makes your sound so unique?

AHFH Haha. I just honestly write with my influences in mind, and that’s what I can say about everyone else. We aren’t consciously trying to be weird all that much. Being creative is definitely always in the back of our minds, but I would just say we are wearing our influences on our sleeves. Bands like Cult of Luna, This Will Destroy You, Thrice, etc.

If samples such as Post Tenebras Lux are any indicator of the direction you are headed with your latest release ‘Realis’, this is possibly a more brutal A Hope For Home than ever. How have your tastes in music as fans and performers changed over the years?
AHFH We definitely wanted to make this record heavier than The Everlasting Man. We tuned down to B and focused on bigger riffs and grooves rather than shredding and double kick. Our tastes have definitely changed as we’ve grown, I’ve been in this band for 4 years and gone from being influenced by bands like Beloved and Underoath to bands like the ones I mentioned previously. And honestly, I would rather create music I like to play rather than try and emulate whoever the biggest band in the scene is at the moment.

How have you seen fans respond to your music? Do you think AHFH is a sound that has to grow on you?
AHFH Some reactions have been a little disappointed, as I expected, but others have been really stoked that we are trying something new. We try to not really even think about that though and just write what we like to play. The minute you start thinking about who you are trying to please artistically is when, in my opinion, your art loses its value.

Your previous release, “The Everlasting Man,” was a concept album based upon a work by GK Chesterton of the same title, what drew you to this literary piece?
AHFH I was reading the book while listening to instrumental demos of the songs on that record we were recording, and thought that some of the themes would translate really well to the songs we had recorded would make for a good concept.

Writing music is a difficult enough process, does having the textual outline for what you want to communicate (ie Chesterton’s work) already laid out help the process or make it that much more difficult?
AHFH Well, we pretty much wrote all of the music for The Everlasting Man before any lyrics were written, and decided halfway through the recording process to base it off of the book. Realis was done the other way around.

You’ve hinted that your latest release might be a concept album as well, what direction did you go with “Realis”? For AHFH do you define “concept album” as an attempt to build upon a theme, where content drives the project or does it start with a tonal outline?
AHFH The Everlasting Man and Realis are two very different records and different concepts. The Everlasting Man is, I feel, an 11 song record with a bunch of songs and lyrics that allude to a concept. Realis, however, was imagined and outlined before it was written, and the concept pulls and pushes both the lyrics and the music. So, to answer your question, we have done it both ways, haha. While we wanted give Realis a lot of content conceptually and lyrically, we also did not want that to come at the expense of the music. So at the end of the day, concepts and ideas and all this lofty stuff can play a huge role in what we do, but if the music suffers because of it, then we are going about this the wrong way.

Your first single from “Realis” is entitled “The Machine Stops” which takes themes from a short story published in 1909 by EM Forster. What drew you to this work and how did you adapt that into your music?
AHFH The Machine Stops is somewhat of a one-off idea for the concept. I stumbled across the story one day, which you can read for free online, and was really impacted by it. The Machine Stops tells the story of a future where humanity basically begins to worship the technology it has built and in effect, becomes enslaved by it. The key part of the story is where the main character basically disconnects himself from that machine in order to regain his humanity. I thought it was an amazing metaphor and it fit really well at a point in the concept, so we decided to allude to it.

Like most literary pieces, the word pictures can be taken to mean many things, when you close in your adaptation with,

“Detach: can we pull these wires from our veins? Divide our flesh, our blood, our names. In the face of the machine I see my reflection stand and turn, as I walk. I’m never coming back.”

Is this primarily a reference to cutting the cord between man and technology or are you addressing something deeper than that?
AHFH Realis deals mainly with a struggle of faith and belief. I really think there comes a time in everyone’s life when they begin to look at the world around them and try to decide where they fit into it, or how it relates to them. I think it is very important to understand what your beliefs mean for your life and the rest of the world around you. Different ideological systems will lead to a completely different understanding and relation to ones environment. Maybe that is something wrong, or divisive, or whatever. But I think it is true. At this point in the concept, and not to condone his actions, the Man sees the world around him as a metaphoric machine, churning gears toward no specific goal. He decides to “unplug” himself from his fellow man and abandon everyone.

Often fans want to pigeonhole their favorite bands into a corner of what they expect that band to sound like, will this AHFH be recognizable or will we hear significant differences?
AHFH Not sure. I try to not think about that too much. It is definitely different, but we didn’t come out of left field with anything. I would like to think of it as a drastic progression.

For AHFH, the studio process is _____? (ie a grind, the most beautiful experience, all of the above). What do you like/dislike most about the recording experience?
AHFH I really wish I was doing this in the 60’s or 70’s sometimes. Everyone talks about how the Beatles got tired of performing live, so the last however many years of their careers, they just sat in a studio and recorded music. That is so awesome. I wish I could do that, honestly. I love recording and writing music and as soon as we finish a record I always wish I was back in the studio working on another one. We always end up getting rushed toward the end or not being as prepared as we should be, and that kind of sucks. But at the end of the day, I feel much more comfortable recording in a studio than I do on stage.

As musicians are you at the place where you are able to get your instruments to communicate all the nuances and subtleties of emotion that you are trying to express or is there still a struggle to work through that process?
AHFH I think we have come a long way as players since our first record. I’m pretty un-confident with myself as a guitar player. I think we could all do more, and that’s actually something I’ve been thinking about. I really want to push myself as a player on the next record, to step it up a notch. That said, I’m pretty proud with a lot of things we’ve done in the past. I think the day you achieve total comfort and ease in your ability is when you start to lose perspective though. There is always room for improvement, and in our case, I think a lot of improvement, haha.

In our previous interaction, you mentioned that your founding member had passed away early in the founding of AHFH. I’ve since read some more from you, particularly the superb write up in Hopecore Magazine (LINK) and there is so much more to this story. How has God continued to use your very personal story to draw you and others to Himself?
AHFH Those were definitely a very difficult couple of months. Kyle never wanted anyone to feel sorry for him, or to be the focus everyone’s pity. I remember sitting with him on the couch in the last days of his life, skin and bones spitting blood into a plastic bowl, asking me how I was doing. I would be stupidly complaining about something and he would always tell me that he couldn’t understand what struggle I was going through, and that it must be tough to be going through something so difficult. I always felt like an idiot after he would say something like that, but the fact is that he always put other people first and never once felt sorry for himself. He was by far the most selfless person I’ve ever met. After his death we weren’t too sure what to do, but one thing I remember thinking about was how mad he would have been if we would’ve given up or made everything we did be about him afterward. I think it would’ve been a disservice to him if we had become “Kyles band” or something like that. I felt the best way I could honor his life was to keep pressing on and let the band evolve, just as life was evolving after Kyle’s death. Kyle never let cancer keep him from anything, and I know he would’ve been pissed if we had stopped the rest of our lives at that point.

AHFH started as a local project and through continually taking it to the grind, you have built the foundation for your rock empire with Strike First and Facedown Records. What is the biggest difference between being on your own and having the backing of a known label?
AHFH Its hard to say. I don’t really think of it as that different. It is such a blessing to be able to get connections for booking and the promotion that comes from having a national company push you. I would honestly say the promotion is half of it. Jason and the rest of the Facedown family are so supportive and just knowing that we have somewhat of a solid foundation to build off of is very encouraging. I always see bands so worried about the next record, or the next show, or the next tour, and how much better things will be next year, or whatever. It never ends. Getting signed doesn’t change everything, we are still just as broke as we were before. We are only busier if anything. If we start to worry about “getting huge” or the difference between being signed and not I think we all will forget that we are doing what we want to do right now, playing music every night.

Now that you are full time musicians, how do you stay fresh in your approach to music? Is it ever a battle to keep the passion as you labor day-by-day to make your mark in a competitive and arguably saturated market?
AHFH We are definitely trying to do something different with our music. What gets difficult at times is not trying to be different as much as it is feeling that we never really fit in with any scene or any band we tour with. Most kids who go to heavy shows these days just want to dance, and they just look at us with crossed arms while we play. Playing with softer bands is just as weird since we don’t have catchy choruses. Like I said before, we write what we want to play. That’s really all there is to it.

Obviously there is a spiritual component to your band and you’ve been pretty open about that, how do you maintain a closeness with God while on the road? How do you keep from killing each other when several smelly dudes are packed into a van for an extended road trip?
AHFH Tensions definitely rise when 6 dudes live in a van for months at a time, haha. We just try to stay as grounded as possible. It helps that we are all on the same page goal-wise and, I feel, all in this for the same reason. No one in this band is expecting or wanting to be famous or sell a million records. We are just playing music because we like to play music.

A Hope For Home (Portland, OR)
Hardcore – Facedown Records
Nathan Winchell/Vocals
Matt Ellis/Guitar,Vocals
Tanner Morita/Guitar
Dan McCall/Bass
Lance Taylor/Drums

To Book AHFH contact The Radiant Group – matt@theradiantgroup.net. Visit AHFH’s MySpace Page for music, concert info and news

A Hope For Home has posted a blog on their MySpace giving a full write up and rundown of the lyrical content (LINK) for their latest release Realis, set to launch March 30, 2010 on Facedown Records.

For more information, interviews and updates for live local music concert tours. Local bands, artists, concerts, venues, tours and events from rock, hip-hop, metal, pop, punk, hardcore, alternative, acoustic, power pop, thrash, R&B, soul, reggae, indie, heavy metal, organic, progressive, funk, death metal, rap and more. Stay tuned to hurdcore.com, friend us on myspace and join us facebook Hurdcore is open to partnerships to promote local arts, music and entertainment as well as advertising opportunities – hurdcore@gmail.com – be specific in “subject” line.

For most Saturday, March 27, 2010 will be a close to the week of Spring Break. What better way to celebrate than with ALL of your friends jammin’ to the live soundtrack on exhibition from of some of the finest local artists in Oregon? Oregon’s First The Everything Show will be going down at Riley’s Bar & Grill (124 Broadalbin – Albany, Oregon) with a night of music that will boast a little of Something for EVERYone. No matter what you scene is, if you like music you will enjoy yourself with the rest of the crew at Riley’s for The Everything Show. Hurdcore has introduced you to some of the artists that will be performing (link to article), bring your friends, bring your mom and your grandma and we’ll see you at 7pm on Saturday (3/27/10). To give you a little more background to the show, we sat down with the shows promoter, Danny Morgan Jr. aka Suganuts…

For those locally and nationally who still might not know who Suganuts (aka Danny Morgan, Jr.) is, tell us a little about yourself and what you have learned that has helped you get to where you are as an artist.
SN Honestly I make it because I make the most out of a chance. To make it, is to make music at my will, not to make fetti. I make music because I would be truly NUTS if I didn’t.

As a performer, what has being in Albany, Oregon been like for you?
SN I proudly do concerts and music with Poverty’s Posterboy, Yung Royal, Mr Great White, Tr3u aka Tha Hustla, SOUFside Ink, Weside Ink, Mr 541, Bent, Pynt Syze and EVERY single other rapper in Albany. Much love to all of you. Well I’m sure there are a few I haven’t but can’t quite think of any. Albany is nothing but love. There is nowhere else I’d rather be. Wish I could stay here forever.

You are a family man, carrying a fulltime job by day, writing, mixing and performing at night, how long have you been in the game? How many albums have you released?
SN If you are one of the few that know me, you may know I have 4 boys the oldest being 6 and a wife… If you also have a child you know how much love he/she may bring. I’ve been writing since I was a young teen and performing when I began driving. I’m almost 31 (flavors) and I’m proud to say it. I’ve release 2 pre-pressed albums and 2 pressed. The 5th will be out this year.

You are originally from The Bay area of California, were you performing down there? When did you decide to move to Oregon and Albany specifically?
SN Yes sir. Born and raised in Santa Rosa, California, but became a man in Oregon. I did a few shows as a youngster but not like the activity since I was introduced to Albany, Oregon, two years ago….. This is where we are supposed to be.

What do you enjoy most about the local rap and hip-hop scene?
SN Because of the talent we make each other better each day. The respect and love is top-notch. Unless you were here you wouldn’t know. It gets frustrating sometimes because the local rappers are honestly better then 99% of mainstream artists. They’re hungry. Someone needs to tell world leaders about Albany hip-hop.

Do you remember your first show here in the 541?
SN My 1st show in Albany was THE BLACKOUT May 2008 also at Riley’s Bar and Grill. Dub-U-Records and Bentley was the reason for my appearance that evening. A great evening and a great show.

As I talk to local artists, venues and promoters it seems that the name Suganuts is synonymous with a track record for putting together successful shows. Why do you think you have been so successful in putting shows together? What are the keys to a great show?
SN *I think my partner in crime… My wife is my key to success in that department. With her support and help it soothes the passion. *Time to plan. *Be creative, everyone else is throwing a show so do what only people have imagined and what you have dreamed of. Make it Re-ality. *Great artists, don’t settle. *Promotion—- really hand out the flyers, treat each one as a guest, posters….wait I can’t tell you all of my tactics.

Many of your larger shows have been at Riley’s (124 Broadalbin, Albany, Oregon) which is the location for The Everything Show. What excites you about hosting a show at Riley’s again?
SN It can hold more people and those people can breathe…I think we all are excited to perform at Rileys and with KC Productions & Entertainment. The vibe is great and stage is awesome to rock.

What have been some of your best experiences at this venue?
SN I think my most memorable experience was Sept 4th 2008 when I released the IMPAIRED album. The show was free and it seemed all the artists were ready to blow up. Everyone killed it that night. The place was packed and in my face. It was the best time at Riley’s.

Tell us about The Everything Show, is there any significance to the name? You’ve been successful with rap and hip-hop shows, why did you decide to take on the challenge of putting together a mixed genre show such as this?
SN Well, I wanted to develop an atmosphere that every age, every gender, every genre of life could come and have an F’n blast with everyone. I’ll never forget an instance when I have handed this lady a flyer and she had said “I don’t like that music.” Say NO now lady.

What performers do you have lined up and how did you choose these artists?
SN I’m proud to tell you that the shows being hosted by THE VERY FUNNY… WILL WOODRUFF – *Tr3u AKA Tha Hustla *Pynt Syze *Tallboy *KTR *Greenlander
*Flo *October Rising *Wetsock *NewAlias *Dj Unofficial — and Myself (Suganuts). [see hurdcore’s previous article introducing the lineup]

Any funny/frustrating stories to share about these artists or the process of setting up the roster for this show?
SN I think a frustrating point had been when artists didn’t respond. I feel like I listened to every artist in Oregon. I had to truly love their music. So here they are. I also wish I had time for every single type of music. Maybe by the 10th Everything Show.

What kind of support have you received from the community? Tell us about your sponsors. Is there still room for others to get involved, if so how can they help?
SN Anyone local person or business can take a part in the show. If you think you can help get ahold of me and let me know what I can do for you. You can reach me at 541-286-0131. I’ve teamed up with great local businesses to spread the word about THE EVERYTHING SHOW and the great job they do for the people of Albany and surrounding areas. Here they are: *KC Productions & Entertainment *Jack and Jill’s Barber Shop *The Sign Express *Albany Downtown Association *Paradox Productionz *Hightide Pipes and Tobacco *Downtown Tattoo and Piercing *J Photography *Go Figure *Magnolia Audio & Music *Movies and Magic *The Adult Shop (JK!!!) *Ciddicis Pizza *Hurdcore.com

In addition to the music you are having the show hosted by The People’s Commedian, Will Woodruff, are there any other tricks you have up your sleeve?
SN Well the only thing I would like to ad is The Sign Express is developing the 1st EVERYTHING SHOW T-SHIRTS for your wearing. You will be able to purchase and have any artists there sign it. It’s what I hope to do. They are all great people I’m sure each one would do it for free.

What do you hope people walk away with after they have experienced The Everything Show?
SN With an open mind to EVERY kind of music and the urge to come again tomorrow! These are all local artists. These are your peeps from your neck of the woods. The rest starts here.

The flyer reads “Oregon’s First…” are you planning subsequent shows?
SN Honestly this is the 1st. If the fans, businesses, artists, and the people of Oregon want another, then damn right there will be another. I hope I’m in Oregon forever, but the future is wide open.

What else does Suganuts have planned for 2010? Are you working on a new album?
SN I’m just coming off of a break or what I would call a break (my wife would disagree). I have been spending time writing and can’t wait for YOU to hear. The next album ” NATURAL” this year.

Just so we’re clear, when/where and how much is the show? Is this an all ages event?

The Everything Show
March 27th 2010
Riley’s Bar and Grill – $5
124 Broadalbin – Albany, OR
7pm-10pm all ages; 10pm-close +21
I hope to see you, your mom, your dad and your kids there.

Thank you for the Love –Suganuts aka Danny Morgan Jr 541-286-0131
Oh, and there will be prize give-aways from the business supporters. You may be very surprised in what we are giving you if you attend.

For more information, interviews and updates for live local music concert tours. Local bands, artists, concerts, venues, tours and events from rock, hip-hop, metal, pop, punk, hardcore, alternative, acoustic, power pop, thrash, R&B, soul, reggae, indie, heavy metal, organic, progressive, funk, death metal, rap and more. Stay tuned to hurdcore.com, friend us on myspace and join us facebook Hurdcore is open to partnerships and advertisers – hurdcore@gmail.com – be specific in “subject” line.

We are days away from Oregon’s First The Everything Show set to premiere at Riley’s Bar & Grill (124 Broadalbin) in Albany, Oregon on Saturday, March 27, 2010 at 7pm. This show will be a showcase of the depth of Willamette Valley’s local talent, mixing genres to create and atmosphere for EVERYone. An all around music extravaganza to be hosted by the very funny Will Woodruff (Salem). Includes ALL AGES from 7pm – 10pm and then 21 + exclusively after 10pm. With support from artists and local businesses the show will include prizes and lineup packed with some of the best music Oregon has to offer. The Everything Show – a night packed with music for EVERYone!

Hosted by Will Woodruff “No mater what city or town you live in, you can depend on Will Woodruff ‘The Peoples Comedian’ to find you, entertain you diligently, then send you back home in a euphoric state of comic bliss.”

Pynt Syze (Albany – Hip-Hop) 14 year old local rap wonder-kid, if Tech9 knows anything about hip-hop than Pynt is about to blow up the scene! HC:Interview

KTR (Salem – Rock/Acoustic) is a four piece, acoustic rock band that knows how to get down. KTR has been playing together since June 2006 and has compiled a catalog of 30+ all-original tracks. A local fan has aptly described KTR as an, “Acoustic version of Stone Temple Pilots.”

Greenlander (Eugene – Alternative) These Eugenantonian music majors combine everything from Funk mixed with Grunge to Progressive Metal and Ska, crafting a high quality sound with catchy grooves and sing-able melodies. HC:Interview

Treu (Albany – Hip-Hop) Laid back hip-hop that will grab you by the throat, bringing the jam that’s’s known to get down in at least two countries, the ever popular “AAAAYYYY.”

DJ Unofficial (Albany – Spinster) If you’ve been around the scene in Albany than you know who you want working the 1’s and 2’s.

Wetsock (Eugene – Punk) “Wetsock is conjuring up tracks with a unique style dubbed “Ghetto Punk”, blending the finest roots, ska, punk, and blues with their strong political ideals, love of life, and true passion for music.”

October Rising (Lebanon – Rock/Indie) Dynamic acoustic indie rockers, quickly becoming a local favorite, bringing smooth and upbeat sound with gripping melodies.

Tallboy (Medford – Hardcore) Having shared the stage with Papa Roach, Heater and Kotton Mouth Kings, Tallboy is steadily on the rise and ready to bring their high-class, action packed, rock inferno to Albany for The Everything Show. HC:Interview

Suganuts (Albany – Hip-Hop) Mastermind of The Everything Show, come see the always classy family-first swag-father of Albany hit the mic. HC:Interview

Flo (Coast – R&B) “My songs are all feel-good songs, something you can listen to when you’re winding down at the end of the day or just chillaxin, but the beats still get ya toes tappin!” HC:Interview

New Alias (Salem – Hip-Hop) Rap power trio of Smitt Smitty, Rhino and Dalliki have set their creative ambitions to educate fans while entertaining them.

The Everything Show
March 27th 2010
Riley’s Bar and Grill – $5
7-10 all ages; 10-close +21
Bring yourself, mom, dad, grandma, neighbors
*Something for EVERYone! w/ giveaways

SPREAD THE WORD – join the guestlist and share event on facebook!

For more information, interviews and updates for live local music concert tours. Local bands, artists, concerts, venues, tours and events from rock, hip-hop, metal, pop, punk, hardcore, alternative, acoustic, power pop, thrash, R&B, soul, reggae, indie, heavy metal, organic, progressive, funk, death metal, rap and more. Stay tuned to hurdcore.com, friend us on myspace and join us facebook Hurdcore is open to partnerships and advertisers – hurdcore@gmail.com – be specific in “subject” line.

Tallboy is a band generating a lot of momentum for themselves right now. With accomplishments such has as playing live to large crowds with known national acts the likes of Papa Roach, Hinder, Kotton Mouth Kings and Floater. Refreshingly, these Medford, Oregon rockers manage to keep enough down-to-earth presence to remain connected with their local following. As well they should considering that this fan-base helped boost them, via frequent request for their song “Taken Back”, into regular airplay on rock station 96.9 KROG The Rogue. With their renewed commitment to music and each other, Tallboy ought to be a band to keep your eye on as they blaze a rock trail of mayhem through Oregon and onto the National heavy music scene.

It’s the start of a new year, what are some of your favorite memories from 2009?
TB (Kevin) Favorite memories would have to be our fans have become more of our family than just a fan! Hiring Jimmy and Brandon, then sharing the stage with Big names like Papa Roach, Hinder, Kotton Mouth Kings, and Floater.

What are the origins of Tallboy?
TB (Justin) The funny thing is that 3 of the 5 members of Tallboy have known each other for years, but have been in other bands, so we never had a chance to jam with each other. The opportunity arose for Kevin, Angel, and Justin to jam together, and with our previous singer, the first incarnation of Tallboy was born! Members have come and gone, but we feel that the 5 of us are now the “dream team” of musicians we could find.

If we were flashing on the life of TallBoy, what differences would we notice most between the infantile TB and the current TB?
TB The new Tallboy is better lyrically and musically. Our musical abilities have evolved immensely in the last year, where as is in the first year this was very new. (Kevin) I had never been in a successful band before…never played in front of more than 50 people. I also figured out how to “rock-out” and play at the same time.

As recently as August of 2009 you were getting regular play for your single “Taken Back” on local 96.9 KROG. How were you able to accomplish this and how has that exposure affected your band?
TB (Angel) We were able to accomplish this with a great recording, a competition we were involved with, and fan requests. The Exposure has been phenomenal!

How would you describe the sound of Tallboy? TB Energetic, Inventive, Fist-pumping, Aggressive Rock, Complicated, Melodic, and Driven by passion!

What do you believe sets Tallboy apart from other bands?
TB (Angel) Our stage presence and unique sound get our crowds going. We’re always trying to write new and creative songs that keep the fans entertained and interested. Going beyond the boundaries of the normal, and involving our fans more than you would expect!

Does your name have any particular meaning or significant history?
TB (Justin) At first it was just based on a Tallboy of beer, then it was discovered that the name is based on a World War II Bunker Buster, also called an Earthquake Bomb. We thought that encompassed our sound pretty well.

Who have been some of the funnest bands, venues and people to work with?
TB Six Ounce Gloves, A Single Second, Dryseason, Holdfast, and Hired Gun. Playing with Papa Roach & Hinder at the Lithia Amphitheater was the biggest rush we have had in our entire life. All of the local and touring bands we have worked with have been great, and an absolute pleasure to share the stage with. Some of our favorite venues have been Lithia Motors Amphitheater, Medford Armory, Shenanigans, and the Rogue Theatre.

Live local hardcore concert with Oregon band Tallboy

Can you pinpoint the moment when you knew you wanted to get serious about being in a band?
TB (Justin) From the very beginning, something amazing was happening. The songs we were writing were the most complex, and entertaining that we had ever personally played. On top of that, we had never had an easier time writing the music… it seemed to write itself!

Who has been the greatest influence and/or support in getting you to where you are now?
TB Our Fans, Our Family, Our Passion for what we believe in.

What were some of the key lessons that you learned as musicians that helped you get to this point?
TB Don’t ever give up! Trust, Determination, Confidence, Practice, Practice, Practice. When you’re done practicing, go practice some more.

What were some of the key lessons that you learned as performers and businessmen that helped you get to this point?
TB (Jimmy) The more into the music you are, the more the crowd is. Being respectful to your fans, and business owners, and thanking all of them for the opportunity to share our music with each and every one of them.

As a band, would you say that there is an underlying philosophy or core values that create the foundation for Tallboy?
TB (Justin) We all love playing music and are really good friends. We all want to be successful and would love to turn this into a career when the right opportunity arises. Passion is the core of our band!

For you, what are some of the essentials to a good show – both from the performance aspect as well as the behind the scenes?
TB (Angel) Rock out as much as possible without screwing up your parts. Also, know your limits with alcohol…although, for some reason Kevin is the best at getting drunk and playing. Knowing the demographic of the venue, what track record does the venue hold, how popular is the venue. What other bands would be a great fit for a night out for the fans, what type of sound does the venue have.

What do you hope that fans will receive from your music?
TB (Jimmy) We hope they get excited when they hear our music…maybe brightens their day a bit. We usually get inspired to write music when were listening to music, so our hope is someone will listen to our songs and get inspired to write something as well.

What is one of the coolest stories you have heard from a fan?
TB (Angel) One of our fans was having a bit of a hard time with her life. We didn’t know this at the time, but when we had one of her favorite songs done we sent it to her in an e-mail as a surprise, just for being a great fan. So then in turn she sent us an emotional e-mail back saying, “Thank You, you don’t know how soon this could have come to me in this desperate time of my life, your song ‘Let Go’ just saved my life!” There was more to the e-mail than we will say, but you can get the point that she was relieved and very emotional because this song meant so much to her.

Have you had the chance to tour yet?
TB Not a major tour, as we all do have jobs, some of us have kids, but we do try to get out of town as much as possible and spread the music.

Any funny/crazy stories you’d like to share?
TB (Angel) Kevin stinks and is a ninja farter! Also, on one trip I had to stick my head outside of the van because our defroster doesn’t work in the snow and freezing rain! That sucked! Just fun times doing weekend trips. (Kevin) I’m pretty sure that I claim every fart that I produce…its not my fault Angel feeds me fast food and doesn’t provide any Gas-X. I thought it was pretty cool getting to meet Jakobi before the Papa Roach show. He was behind the main stage fishing and we just sparked a random conversation with him.

What are the chosen weapons of the trade for TB?
TB Kevin: Schectre C-1 Hellraiser (drop D tuning), Godin LG HB (drop C tuning), Peavy Triple X Half Stack, Boss DD-5 Delay Pedal, Ernie Ball Volume Pedal.

Angel: 2 Yamaha RBX474 4 string basses (different tunings) Ernie Ball Slinky’s, Carvin BX1200 watt amp, Carvin 8×10 cabinet, Sony instrument wireless system.

Justin: Premier Percussion 5 piece hand lacquered drums, Zildjian A Customs, Z Customs, Tama Hardware and Pedals, Ahead Sticks.

Jimmy: Shure SM-58 Wireless Mic, Behringer 1000 watt Mains, Nady 4×15 subs, and a whole slew of other outboard gear.

Brandon: Peavey Wolfgang Guitar, Peavey Classic 50/50 tube amp, Peavey cab w/ custom Sheffield 4×12 cab.

If you had an extra $1000, what is the first piece of equipment you would purchase for TB?
TB (Kevin Says) “I have been getting the itch to get a new guitar recently. I’m going to try out some PRS guitars and maybe a Gibson SG (hopefully with EMG pickups).” As for the band, we probably would get Recording Hardware, and Updated Software! Maybe replace worn parts of instruments, and or purchase more merchandise.

As a fan of music, who are you digging right now? What would be on the top 5 of your ipod playlist?

TB We are getting really excited for the new Fear Factory album coming out in February. The new Mudvayne is sick. A Day To Remember, Austrian Death Machine, As I Lay Dying, Dethklok, In Flames, Lamb of God, Straight Line Stitch, Breaking Benjamin, Pillar, Chevelle. The list goes on and on and on and on!

*Thanks to Tallboy and Caitlin Siobhan Photography for sharing their awesome pictures for this article. Tallboy wanted to be sure to thank their sponsors: Legionnaire Apparel (clothing from Medford local Joe Moxley and MxPx’s Mike Herrera), Brett Helfrich and Eads Furniture, Creative Concepts and Monster Energy Drinks (Local Sponsorship)

For more information, interviews and updates for live local music. Local bands, artists, concerts, venues and events from rock, hip-hop, metal, pop, punk, hardcore, alternative, indie, organic, progressive, rap and more. Stay tuned to hurdcore.com, friend us on myspace and join us facebook